

Presents

A Webzine Created and Edited by 

And now for the next installment in a serialized
presentation of the book:
Raised By Wolves
Book Two: Sometimes I'm Mistaken for a Man
From Journeys & Transitions by

NOTE: Starting with September, 1990, my schedule became so
tight while I was editing the feature film, Social Suicide, that I could no longer take
the time to make my diary entries directly onto the computer. The only way not to lose the
emotion of the moment was to record my thoughts onto a microcassette recorder. Obviously
the results are not as polished, nonetheless, I include them here as they are the only
record of this portion of my transition.
********************************
October 2, 1990
I'm standing in the ladies room in the Equitable Building at
Hollywood and Vine where the worst thing just happened. Dorit, the intern I work with on
the film, walked in on me when I had my make-up half on and half off. We both pretended
nothing was unusual... bad scene....
************************
Today, Dorit was civil enough, but there was a strange
tension between us. I was acting strangely because she was acting strangely. But maybe she
was acting strangely because I was acting strangely. I don't know which one of us was
freaking the other out more. She didn't say anything about the incident, but later in the
day Victoria (the producer) said, "I hear Dorit walked in on you when you were doing
your makeup in the ladies room. Did she say anything to you about it?" I said no, and
that was the end of the conversation.
Dorit will be at the DGA (Director's Guild of America)
screening tomorrow. So, in my "debut" in the film industry as an editor in front
of people who can make or break your career, I now have Dorit to wonder about.
***************************
Yesterday, my face was all bumpy and lumpy from plucking out
my beard the night before. I had only three hours sleep. I was three days off hormones. I
was right in the middle of some serious PMS. My daughter's hamster had died two nights
before. She called me up and asked me to comfort her, which I did in Dave mode because
when Daddy is needed, Daddy will be there. Anyway, when I got home late that night I had
to stay up until 4:30 in the morning to get the plucking all done. I sat there thinking
about the hamster and my mother and my grandmother and my grandfather - all dead. And then
I thought about Mary and the kids and dying... and by the the time I woke up in the
morning with only three hours sleep I was in pretty bad shape.
We had a little funeral for the hamster. We all went out at
7:30 in the morning and buried it in a Kleenex box in the front yard. I dug the hole on my
hands and knees in the wet grass and laid the poor little furry creature down to rest.
Keith had made a plaque to be put with it, and Mindi set up four birthday candles that we
lit in remembrance. One of the candles lit the plaque on fire and Keith had to wave it all
around to get the flames out. So, Gene was gone and we promised to get a new hamster later
in the day.
That day, yesterday, was a long day. We worked until three
in the morning. It was the latest night I spent working with Larry (the director) so far.
I was willing to put in the time though, because we are struggling to get ready for the
DGA screening of the movie. We don't have all the sound effects we need for this rough
screening, so we have to create them live to a playback of the video tape. So here's Larry
and Victoria and me on the floor of the office at three in the morning with pots and pans,
yelling and shouting, rattling plates and sloshing water to make it sound like a bull is
crashing through a ballroom and people are getting squirted with guacamole. It's certainly
an image I'm unlikely to forget.
Today is THE day at the DGA. After only three hours sleep
again I'm back at the office getting ready for the big screening.
***************************
Its about one in the morning. We had our screening at the
Director's Guild. It was most exciting. The building is beautiful - cylindrical, with
lot's of glass, lot's of light: very prestigious. The Sony screening room there seats 43,
and we were able to project a video of our workprint on the big screen. It was quite
wonderful to see the picture that large, even with the poor quality of the worktape.
The picture was fairly well received, but it still needs a
lot of work. Still and all, it was a lot of fun to watch people watch the movie and see
them react to things I had done editorially.
I felt pretty comfortable. I don't know if I was being read
or not. I really couldn't tell. So, I just proceeded as if no one suspected and enjoyed my
moment in the spotlight.
October 3, 1990
It's the morning after our DGA screening. I know we've
crossed the hump on Larry's project now. We still have changes to make and then we have to
lock the picture and conform the negative. After that, my obligation to the picture drops
significantly. I'll mostly be supervising sound effects and perhaps working on trailers
with Larry, but all at much more normal hours. I'll be glad when I have a little more time
because I have to begin working on the psychology book with Chris (my writing partner) and
start work on the film treatment for Sid (a producer I occasionally wrote for) because
both of those guys are hot and heavy to go with those projects, which could have great
future potential. But due to Larry's project, there's just been no time at all.
I might direct again some day, but I don't think I'll ever
edit again. You spend all your time making someone else's work look good. Even though you
might get praised in the editing community, its still not my idea of a good time.
******************************
I'm just driving back from Fotokem where we viewed a
workprint of some opticals we are having done. That was a most enjoyable experience
because I was definitely getting some looks - not stares of "what is it?!", but
looks from the guys. They were really paying some attention. Considering I'm almost 38,
that was pretty gratifying.
It was interesting going to get coffee there. I went to the
lounge, but didn't know where the coffee was and asked about it, and the guy was real
solicitous. It was just great! Later, Larry and I had lunch at some tables they have
outside. Another guy sat down at our table and paid some good attention to me, and boy, I
tell ya, I really enjoy all the male attention.
When its working, its better than anything else in the
world, but when it doesn't work its worse.
October 4, 1990
I woke up this morning feeling very much unwanting to be
Melanie today. But the time I had showered and gotten dressed, it vanished. This is my
first day off in 10 days. I put in 150 hours in the last 10 days on Larry's film. At one
point there I got 7 hours sleep in 66 hours. Its been very, very difficult, but it was a
commitment.
However, today, on my day off, I can think of nothing I'd
rather do than clean house. It's now about 4 in the afternoon. Earlier today, I found a
use for the last two pairs of boy pants I have. There was a pool table in the back room
where Mary and I have one bed and Keith sleeps in another. The house is so messed up
because I've been away working for so long that the pool table just takes up too much
room. So, I asked my dad to help me move it out to the garage. But since I don't have the
muscles I used to, I needed to get more resourceful - and that's where the boy pants came
in. I layed them on the ground and skidded the table across them to the garage.
With that out of the way, the bedroom, which has
traditionally been knee-deep in junk, is spacious. I'm getting it all cleaned up as a
surprise for Mary tonight.
I told Mary on the phone that I didn't want to stop being
Melanie tonight. But rather than make a little room for myself in the double garage, I
think I may just stay out here in the back room. Hopefully, Mary will either get lonely
enough for me or just tired of coming all the way to the back room to talk to me that she
will invite me into the living room again, but this time as Melanie. She's due home in
about 90 minutes.
*****************************
When Keith comes home from school each day, I always try to
have a surprise snack waiting for him if I'm home. Today I had a pizza waiting. I had
decided to stay in Melanie mode, even after he came home. I do that from time to time with
Mindi in the morning, but not alot because I still speak as Daddy until its time for her
to go to school, and then as I step out the door to take her I switch over to Melanie
Mode. With Keith, I decided it was time to see if he could get along with it. So, when he
came home, I just stayed as Melanie. And he didn't have a problem with it. It was
wonderful. He still calls me "dad", which is fine by me because I want to be his
dad, but I want to be his dad as a woman.
He just enjoyed the fact that his room had been cleaned up.
He enjoyed the snack I made. I helped him with his homework. Later, Charlie, a friend of
Keith's came to the door and I stepped out of the room. Keith told him that he had to
finish his homework before he could play. Any minute now, his friend is going to come
back... as a matter of fact, he just came to the door right now as I am speaking.
I have told Keith that if he tells Charlie who will be going
to Keith's school next year, at that time everybody at his school will find out about me.
I told him there is also a possibility that once Charlie goes home and tells his parents,
they may not want him to play with Keith anymore. Even though I told him that it may cost
him his friend, Keith has decided to invite Charlie in with me as Melanie.
So here he is.... I won't make a point of confronting him,
but I'll be around.
****************************
Here we go... Charlie's in the house now, and I'm coming out
as Melanie....
****************************
Okay, the first time Charlie saw me, Keith introduced me as
Dad. Charlie looked like he thought Keith had just has a slip of the tongue. But the next
time Keith called me Dad, Charlie said, "Dad?" I confirmed it saying,
"That's right, I'm Keith's dad". I explained briefly about what sex change was
and why I was doing it. I told him if his parents had any questions about this, I'd be
happy to talk to them. Keith was totally nonchalant about it. He was completely
unconcerned.
Still, my big concern now it how will it effect the kids?
What's going to happen to them? No matter how much I explain myself, I know there are
those out there who will ridicule my children or tell their children not to play with
mine, just because of what I am doing personally. I can't understand that mentality, but
no matter.... I guess the cat is out of the bag now.
****************************
An additional note. Keith and Charlie were out playing
basketball and Keith asked me if I wanted to join them. I thought, "When was the last
time my son asked me to play with him and his friend while I was dressed as Melanie?"
So, we had a few good games of Horse, and I had a wonderful time playing ball with my son.
This was perhaps one of the finest days I've ever had.
Later, when Mary came home, I just told her, "I'm
spending the evening as Melanie." And she said, "I don't want you to do it out
here." So I said, "fine", and went back to the newly cleaned back bedroom
and enjoyed myself immeasurably. Mostly because the kids came back to visit me and we
played Monopoly and had some popcorn and had a wonderful time.
About 10 pm after the kids had gone to bed, I realized I had
charged myself up enough that I threw on a T-shirt and came out and visited Mary in the
living room. I assumed the role of Dave again for a couple of hours. It wasn't too
uncomfortable. But its beginning to seem that at this point in my life, playing the role
of Dave is something I'm only comfortable doing for a couple hours at a time.
I was worried about Mary and me splitting up. All through
this commentary it has been my greatest fear. Yet, after all the risks of losing my
family, my friends, and my career, I've come to realize that I will never go back no
matter what the cost. Still, even though Mary cried earlier because I preferred to be
alone as Melanie instead of being with her as Dave, when I did come out and do my Dave
act, she was so pleased that she gave me a big hug and a big kiss. We shared a very
pleasant evening.
I need her. I need her support. I need her love. Yet, I know
now that I have the courage (or perhaps the insensitivity) to walk away from her if I need
to to be me. However, perhaps that attitude is justified, for if I were to give up being
Melanie and go back to being Dave, I know I would be so miserable and so tense that I
would be no kind of parent and certainly no kind of a husband.
October 5, 1990
This evening, I went to get a smog check on my car. When I
arrived it was almost closing time. I was wearing a tank top braless. I KNEW that was the
right thing to wear to get a smog check! They said they were about to close, but I asked
if they could do one more. The guy gave me the once over, then said he'd talk to his
supervisor. His supervised looked me up and down, smiled and said, "Sure, bring it
in." An interesting experience having my boobs determine if I am served or not.
During the service, I happened to be in front of a drawer
they needed to get a tool from. Suddenly I feel an arm around me, and I turn to the guy
who says, "Excuse me, honey..." and moves me over to the side. Slowly, a few
guys start drifting in from around in front until there are four guys standing around
watching me get my car smogged!
When they ran the results, it didn't pass. So, they did a
little something back by the muffler to rig the results so that it did pass. And all
because I wore the right blouse yesterday!
October 6, 1990
I remember a picture in a Sears catalog from about four
years ago of a woman in her mid-thirities, long hair, wearing a cable knit sweater and a
pair of blue jeans, sitting on the beach. I remember thinking that would be the perfect
image of who I am. Today, at this moment, as I stand in the office waiting for Larry to
arrive, I look in the mirror and I am that woman.
October 9, 1990
I just dropped Mary off at work today, about a block from
her office. This was the first time we have gone anywhere together with me fully as
Melanie. Her car needed some repairs today and I had already dressed, so I followed her
over to Pep Boys, then drove her to work. I used Melanie voice the whole way there.
When I dropped her off, she put her fingers to my cheek as
she said goodbye.
October 13, 1990
I had an idea for a statement against child abuse... You
create a doll designed to be beaten. You can slap it, kick it, burn it, but when you are
finished, it always says, "I love you." This could be a public service
television commercial, except I fear some people would just think it was funny.
********************************
Okay, here I am outside of K-mart. I look like shit today. I
put my make-up on and off about a hundred times before I got it right, but that just dried
it out so much it looks all wrinkled and unnatural. I don't think I'm passable at all.
I've been avoiding going anywhere alone as Melanie, but its time for me to make my stand
and get into the real world one way or another. I'm either going to do it, or I'm going to
hide for the rest of my life. So here I go.
*********************************
I'm back here in the parking lot about half an hour later.
It wasn't half bad! Even though my make-up looked awful, that wasn't really a problem.
From a distance it looked okay, and up close most people won't look you in the face
because their afraid of eye contact. Instead, they just size you up by peripheral vision,
and by that standard, I'm fine.
A couple of the shoppers in the women's clothing section
looked at me a little oddly from the corner of their eye, but they didn't do or say
anything. They just maybe moved a little bit out of the way, but most of them didn't even
notice. I went up to the counter and was read as at least being a little unusual by the
checkout clerk, but again, no problem. Having developed a feminine voice really helps
alot, as it confuses the issue.
So, the trip was a success. I bought some new clothes,
bought some sandwiches for my lunch and know now that I can go out and move in society.
The more I can do to improve my look, the easier it will be, but I know I have the
fortitude even when I'm looking pretty shitty, to go out and present myself as a female.
At this point in my transition, I'm more comfortable presenting myself as a woman and
being read that trying to present myself as a man.
*********************************
I'm making this entry from the ladies room in the Equitable
Building, just across the hall from the office where I work. Roberta from Universal
Studios is coming over to view the worktape and discuss creation of the sound effects.
I've spoken with her on the phone a few times, but we've never met in person. This should
be interesting since, as I said, I look awful today - all covered in lumpy bumpies.
********************************
It's now about 2:40 in the morning. I'm still at the office.
We had a great meeting with Roberta. We spent about six or seven hours looking over the
film and came up with a number of creative ideas to enhance its comedic value using sound
effects. Roberta and I got along well. Again, I don't know if she read me or not. Maybe
she didn't or maybe I was close enough to the role that it didn't matter that much. I'll
have to ask her someday. But I'll tell you... at 20 minutes to three in the morning,
whether or not someone read me as female has very little import.
Roberta said that the worktape we had was too degraded to
use for the sound effects editing. The reason is that when you edit on tape, you simply
make a copy from the original using only the parts you want. But when you need to make
changes, rather than go back and redo everything, you just copy all the good edit parts
and only go back to the original for changes. As a result, some parts of the worktape end
up six or seven generations away from the original. They are muddy and unclear, and don't
hold sync.
The solution is to take the numbers that the computer stored
with every edit, clean up the math so they represent the final version and then create a
fresh copy direct from the originals, but with all the final edits. In our film we have
over 3,000 edits! Which means that suddenly there is a whole lot of extra work to be done,
and guess who Larry wants to do it!
Now, I've been working seven days a week, 12 hours a day,
and he wants me to continue. Problem is, my contract for the film was for only $10,000 to
edit AND work on the sound effects. This extra work was never part of that deal. What's
worse it, when I signed the contract I expected 40 hour weeks, and now its up to 84!! But
even worse than that, the way the money was doled out started at $500 a week, but then as
the project dragged on, Larry cut it back to $500 every TWO weeks, so I would still have
incentive to continue. So here I am working 84 hours a week for $250 dollars!!! That's
less than minimum wage! I'm trapped here is something akin to slave labor in order to meet
my obligations.
I'm getting so tired that the numbers on the screen are
blurring out in front of me. I just want to get out of this project. God, I don't know how
I got into this situation. I suppose if I were single, it wouldn't be so bad. And if I
weren't going through transition I could just sleep on the floor and let the old beard
grow. But when I have to go in and out of this place at late hours all by myself down
Hollywood Boulevard, it makes me very nervous. And if I sleep here, by the time I go out
when people are arriving for work, I end up looking like a push-me/pull-you with beard
stubble all over my face. The worst part is that people who only see me as Melanie
suddenly realize Melanie has a beard.
It's a little bit difficult right now. And yet I feel light
hearted. Why? Because it can't get any worse!
October 16, 1990
God, I hate it when the batteries run down on my
microcassette recorder... it makes me sound like a man.
*************************
All my friends have been treating me with kid gloves. This
they do because they liked Dave. I never realized how MUCH they liked Dave until I stopped
being Dave. They cared enough for him that they want to be supportive of him, even when
something is not working. So they don't give me a real world picture as feedback. They
tell me that I look good all the time. Or they don't say anything when I know I'm wearing
something stupid or mannish. But I have no way of finding out. They want to be so gentle
that they don't tell me the truth.
In the early days, I wanted it that way. I didn't want
anybody to be telling me how terrible I looked. I already KNEW I looked terrible! I knew
there was a long way to go, and this was a way of bolstering myself psychologically. They
could read that. But the situation has changed over the course of my transition to the
point that I would really value accurate comments. They don't want to say anything
negative, but its the negative that I can work on and turn it into something positive.
*****************************
I just found out that the lady who did the make-up on our
Palm Springs shoot read me as a transsexual. However, the reason she did was that one day
her husband had come to her one day and said, "I'm going to leave you to become a
woman." He divorced her and went off and became female. During the shoot, she had
been very friendly to me. I am amazed, knowing what she went through that she would be
kind.
In fact, this lady had volunteered to Victoria (the
producer) that if I ever wanted my hair done, shoe would do it. As it turns out, this same
make-up lady will be working on a side project I am doing for Larry where I will be
director of photography. Victoria is going to get her hair cut during the production and
said she would arrange it so that I could get mine cut as well. So, I'm not to touch my
hair now. It's been growing for over a year, is down past my shoulders and getting pretty
frizzy, but I'm told to wait for a month until production so I can have a haircut from a
professional motion picture make-up artist. What a wonderful perk!
October 21, 1990
I've been "spotting" music for the last few days
with Larry and Roget Belon, the French composer of "Waxworks", "The
Unholy" and a six hour mini-series on Valentino. Roget did not quite know what to
make of me. Although he did not remember it, we had actually met at my office about two
years ago for about five minutes when he dropped off a video tape of his music for
duplication.
Finally, one morning when we were alone, I breached the
subject and told him what my situation was. Afterwards, he was fine. I guess he just
needed to be sure. The problem is, he calls me "Melanie", but uses the pronoun
"he". So I'm sitting there with Larry and Victoria calling me "she"
and "her" and he's calling me "he" and "his". He means no
ill intent, but can't seem to break the habit. Still, he is a lot of fun, and we share a
lot of secret smiles regarding some of the artistic considerations of the picture.
*********************************
I've been working now for two weeks straight without a day
off. Most days have been at least 12 hours. Last night was a 14 hour day.
October 25, 1990
The best way to get over the fear of discovery is to assume
that everybody already knows.
*****************************
I had been told that women had a thin layer of fat over the
body that men did not have. I really didn't know what that meant until I went on this new
dosage of hormones. Before where there used to only be muscle under the skin, now there is
this very narrow insulation just below the skin. Instead of feeling hard, now I feel kind
of spongy all over.
It definitely takes the edge off the angularlity. When I
look in the mirror these days I can actually see that my features have softened.
****************************
I tried a little experiment today. I put on the most
masculine expression I could muster. I put my voice back into Dave mode. I marched up to
the full-length mirror and spoke as if I was talking to somebody. It doesn't work anymore!
It's not just growing boobs. There's a lot more to it than that.
October 26, 1990
I have an appointment this morning with the State Board of
Equalization regarding back sales tax for my video duplication business. I have spoken
with the fellow several times over the last two weeks, but always as Dave, since that is
the name on the license. Today, he expects to be meeting with Dave, but Melanie is going
to show up.
*********************************
When I arrived at the state board, I almost slipped into my
standard defense mechanism of telling people I'm transsexual right off the bat. This way,
I don't get embarrassed if they figure me out part way through a conversation, and I don't
have to worry about appearing foolish acting like a woman when they read me as a man in
drag. If they know I'm transsexual, then they know I'm in transition, but just not there
yet. They cut me a little slack because I'm still in training. (I guess that's why I'm
more nervous on the street or in a store than one on one with people: out in the open, if
I'm read, there's no way to explain I'm TS.) When it comes to face to face contact, don't
worry about being read, worry about being sincere. Because TV or TS, if you are sincere,
people in general will accept you.
This time, however, I did not use my security blanket. I
felt very sure of myself and said, "What the hay," and just walked in as
Melanie. I went up to the receptionist and gave my name and who I was to see. She called
him on the phone saying, "Miss xxxxx is here to see you," never seeing me in
any other way. I thought, "Hey, today I'm really making it!"
I went in and met the man: spoke with him for fifteen
minutes. He never suspected anything. I told him I was there on behalf of Dave, and
managed to evade any clear answers as to my relationship to Dave. It was weird speaking of
Dave in the third person: "Dave wasn't able to fill out these forms earlier because
he's involved in editing a major feature film." It sort of disassociated that old
persona from myself, which made it strange to think of Dave and the fellow in front of me
as "him" and me not. Eventually, I needed to fill in a form, and he needed to
know if I was Dave's wife. I said no. He asked if I was related to Dave. I said yes. He
asked if I was Dave's sister, and I replied I was not. Finally he demanded to know what
relationship I was to Dave, and would not go any farther until I told him. So, I kinda had
to spill the beans.
I told him Dave and I were the same person. Well, it took
him nearly 30 seconds to figure it out. When things are working right for me, people just
can't conceive of what I'm telling them. Once he found out, he just opened up with all
these personal questions. I guess transsexuals are achieving something of a celebrity
status: a rare and unusual breed. People are fascinated by why we do what we do. As a
result of being topical and few, people ask you all kinds of personal questions they would
never ask anyone else under any other circumstances.
So, I answered his questions. But, as I have learned, people
don't want you to tell them what you want them to know, they just want you to answer the
questions that are special to them. You're probably the only transsexual they will ever
meet in their lives, so they want to get those questions in there, even if it embarrasses
them to heck. They can find out straight from the horse's mouth what its like to grow a
pair of boobs, what its like to walk around in society as a woman when you are still
underneath a man. When they find out I'm married, they're really curious about that.
"How can you possibly stay married?" "How can she possibly stay married to
you." "What effect does it have on the kids?" Everybody is curious.
Well, anyway, the fellow told me that normally, when a
business falls behind in their sales tax payments like I have a $1200 deposit is required.
However, he said with all the personal things I was going through, he would waive that
deposit and let me continue as is. I don't know if this was due to his normal good nature
or as some kind of special dispensation due to my transsexualism. I don't care: I'll take
it.
October 29, 1990
I'm here at the office alone and I'm going to try to run a
little test. Lately I've been wondering if I could summon up my old persona. Not so much
the way I used to feel, but the way I used to act. I've been so engrossed in trying to be
Melanie, I haven't paid attention to what's left of Dave. So, I'm going to take a few
steps here and try to walk like Dave used to.... This is amazing! The most amazing thing!
I've forgotten how to walk like a man! I've actually forgotten! This is... I... I'm.. uh,
dumbfounded. I don't know what to say... I don't know how to walk like a man anymore...
My, God! I've forgotten!
Let me see... okay, I'm going to stand here. This is the
outer office. I'm going to take one step forward... (laugh) I can't do it! Oh, man! Okay,
how did I walk as Dave... How does a man walk? I can't do it... I can't do it! (laugh) I
keep swinging my hips and I can't figure out how to walk without doing it. I'm blown away.
I thought for a long time I could go back and forth, but that's not true: you have to give
up one to be the other.
***************************
A phrase just came to mind that I thought I'd better record
so I don't forget it. It said, "Give up, you've won."
October 30. 1990
It's about 7:30 in the evening. I'm here alone at the
office. I've finally regained my composure. We had a major blow-up here today. Because
Larry has cut costs so deeply, using the least expensive editing equipment available, the
precision of the machines is sometimes one frame off on an edit. However, Larry determined
that one frame off was not good enough. Which means that its going to take 2 or 3 times as
long to conform each of reels of the picture. During these three weeks of seven day a
week, twelve hour days we had agreed that after the conform was done, I could go on a
regular 40 hour week. And then he comes up with something that will delay completion of
the conform for another two weeks perhaps.
Still, I was thinking I would do that to honor my commitment
to the project when the negative cutter called to say we had used the same shot in two
different places in the tape. The first one was already cut in, so there was nothing to
put in for the second one. Unfortunately, the second one was the important one. As a
result we needed to completely recut the second sequence, which could not work the same
way without that shot.
Well, Larry was very mad because he wants everything
perfect. The first thing he did was call up the negative cutting place and told them to
stop cutting until we checked all the numbers. In order to do that, he would get a
computer program that would organize the data, but he wanted me to be the person to type
all the data in by hand, thousands and thousands of numbers. Already for the conform I've
had to put in 200,000 keystrokes and this would add another 100,000 to that.
I couldn't see myself doing all this extra work when I was
about ready to fall apart. So I finally put my foot down and told him, "Look Larry,
before you call them, I'm not going past this weekend with these hours. I'm taking
Saturday AND Sunday off, and starting Monday I'm going on that 40 hour week."
Well, he got mad and slammed his fist into the door and made
a big dent in it. I just sat there and he stormed off. Then Victoria came in and told me I
didn't have enough commitment to the film. I'm only an editor and get no profit
participation in the project. I've put in all this time and all these late hours. I've let
this picture take me away from home in the middle of my transition when my relationship is
in jeopardy. I haven't even taken my kids to the park for six months. Keith became too old
for bedtime stories while I was tied up working late evenings. I've missed all of this in
my commitment to their film.
I never signed on for 80 hour weeks. And yet, I am accused
of not being dedicated. I was told I was thinking only of myself, that I kept changing my
story of how much I would do. I told them I would do whatever it takes, but then that
became cart blanche for them to take whatever I could do. So the hours go up, the effort
goes up, and then when one thing goes wrong, I get blamed, even though we have all seen
that shot in that place every time we run the picture.
So, I had had enough. I couldn't take anymore and I lost it.
I turned around and slammed MY fist into the door, and with three slams broke a hole
through the back side. I totally messed up my hand, which is all swollen right now, yet I
am continuing on the editing.
After about half an hour, Larry's friend came in playing
good cop. He massaged me on the back and told me I just had to hold out a little longer.
No, I told him, I had lost too much.
I cried then for half an hour, but continued to work through
the tears, solving the problems as I could. Eventually, Larry came in and tried to make
peace. He told me that after 2 1/2 years of working with this project, now it can never be
perfect. I don't understand his attitude. That's the wrong attitude to have on a film. You
should never be so in love with any aspect of a project that you can't bring yourself to
change it in light of practicality. Accept it and move on. No work should be that
important. Relationships and people are what's important. Who cares after you're dead how
long they're going to remember you.
I just stared at him. I wasn't going to argue. I simply told
him, whatever you think you can try to do to force me to do this, bring it on. Go ahead
and try. I don't care anymore. All I want to do is finish the movie and get back to my
family. I told him I would still do a good, honest job. I would still give him the best I
had and be a true professional about it. But only under the conditions that I had
outlined. I said, "If you want me to continue to work under those conditions, I will.
If you don't want me to come in, say so and I won't. If you feel you have to do something
to me because of this, then go ahead and bring it on."
So here I am continuing to work on the conform, still trying
to do the best job I can for Larry. I don't know what might happen to, for, or against me.
I don't know what effect this will have on my career. But whatever it is, standing up for
myself was worth it.
(The Transition Diary series will continue in
the next edition of The Subversive)
I urge you all to keep a diary of YOUR personal journey,
whether it be through transition or not. The attitudes and even the order of events
becomes cloudy through time, and I am continually amazed to re-read things that memory
would have me believe had happened differently. If nothing else, it is a good way to see
long-term patterns in yourself that you cannot see except in retrospect. That objective
view alone is worth the inconvenience of keeping a journal.
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